NZ & INTERNATIONAL FINE ART

Possess
lithograph, limited edition 30/45
signed and dated 'Albrecht 82' (lower right) and inscribed with
title (lower centre)
49 x 69cm

PROVENANCE
Corporate collection, Wellington

Untitled
both acrylic and resin on paper
32 x 24cm each (2)

PROVENANCE
Corporate collection, Wellington

Greetings and nose rubbings and babble of Maori tongues
indian ink & graphite on paper
inscribed with title & no 2.
50 x 41cm

ILLUSTRATED
Lynne Owen, School at Cape Runaway
(A H & A W Reed 1964) p. 23.

Kareka, eh? Champion'
indian ink & graphite on paper
inscribed with title & no 9.
50 x 41cm

ILLUSTRATED
Ibid, p. 106.

I then donned swimming togs and went to scrub and rub at
the sixteen and make sure that every trace of grime vanished
indian ink & graphite on paper
inscribed with title & no 11.
50 x 41cm

ILLUSTRATED
Ibid, p. 125.

He had to put on a coat, hat and had a pair of large shoes
indian ink & graphite on paper
inscribed with title & no 17.
50 x 41cm

ILLUSTRATED
Ibid, p. 177

They sat with bated breath, the firelight flickering over their
awe-stricken faces
indian ink & graphite on paper
inscribed with title and no 8.
50 x 41cm

ILLUSTRATED
Ibid, p. 104.

Ranged themselves in lines and presented their Maori action songs
indian ink & graphite on paper
inscribed with title, illustration instructions & no 7.
50 x 41cm

ILLUSTRATED
Ibid, p. 86 & 87 (double page spread)

The auctioneer held up a loaf of bread and started off
indian ink & graphite on paper
inscribed with title & no 14
50 x 41cm

ILLUSTRATED
Ibid, p. 155.

Then in through the open door came a horse and rider
indian ink & graphite on paper
inscribed with title & no 5.
50 x 41cm

ILLUSTRATED
Ibid, p. 68.

I looked around and began to think what a cheerful and happy race
they were
indian ink & graphite on paper
inscribed with title & no 1.
50 x 41cm

ILLUSTRATED
Ibid, p. 17

The coffin was placed on the veranda of the meeting-house
indian ink & graphite on paper
inscribed with title & no 12.
50 x 41cm

ILLUSTRATED
Ibid, p. 155.

Our horses were as spirited as we were and galloped 'flatted
out' along the sandy beaches
indian ink & graphite on paper
inscribed with titled & no 13.
50 x 41cm

ILLUSTRATED
Ibid, p. 153.

Boatshed - Cape Runaway & Dream Cottage, looking across
Bay of Tikirau
both indian ink & graphite on paper
inscribed with titles, illustration notes & no. 3 & 15.
50 x 41cm each (2)

ILLUSTRATED
Ibid. pp. 34, 158.

Steam billowed from the volcano, and mushroomed above
indian ink & graphite on paper
Inscribed with title & no 16.
50 x 41cm

ILLUSTRATED
Ibid, p. 168.

When all of a sudden I came face to face with a big black wild
boar
indian ink & graphite on paper
inscribed with title & no 10.
50 x 41cm

ILLUSTRATED
Ibid p. 116

The others rushed to her assistance
indian ink & graphite on paper
inscribed with title & no 6.
50 x 41cm

ILLUSTRATED
Ibid, p. 76.

The Kerosene set the the soap like mutton fat
indian ink & graphite on paper
inscribed with title & no 4.
50 x 41cm

ILLUSTRATED
Ibid, p. 59.

Map of New Zealand
corrugated iron in three pieces
180cm overall length; 49cm maximum width

PROVENANCE
purchased directly from the artist
Private Collection, Auckland

Hill of Houses - Factual
oil on board
signed & dated JULIET PETER /70 (lower left); inscribed with title
to reverse and orginal paper label
58 x 48cm

PROVENANCE
Private collection, Wellington

Washerwomen in Provence
oil on canvas
signed and dated 'MacDiarmid '58' (lower centre)
48 x 71cm

PROVENANCE
Private collection, Wellington

EXHIBITED
Christchurch, Gallery 91, June 1959

Fern Pilgrim Triptych
oil on canvas
signed and dated '97 Nigel Brown' (lower centre); signed and
inscribed to reverse of all panels
33 x 72.5cm overall

PROVENANCE
Corporate collection, Wellington

Into the Garden
watercolour and pastel on paper
signed and dated 'John Drawbridge June 1985' (lower right);
inscribed with title to orginal gallery label affixed to reverse
75 x 57cm

PROVENANCE
with Willeston Gallery, Wellington
Private collection, Wellington

Untitled No. 5.
oil on board
signed and dated 'LOUISE HENDERSON/ 70' (lower right)
79 x 135cm

PROVENANCE
purchased by the vendor's father, whom worked with the artist's husband
Private collection, Wellington

Interior with Open Doors
acrylic on board
signed 'Neil Driver' (lower right); signed, inscribed with title
and dated 1985 to reverse
99 x 97cm

PROVENANCE
with Galerie Legard, September 1986

Persimmon, Walnuts and Bottled Cherries
oil on canvas
signed and dated 'Day 86' (lower right)
92 x 182cm

PROVENANCE
Corporate collection, Wellington

Orokohanga Terrace
oil on board
signed, inscribed with title and dated 2002 to reverse
118 x 238cm

PROVENANCE
Private collection, Auckland

The Widow
Ngaheke, Perira te Kahikura
oil on canvas
signed and dated 'C.F Goldie 1915' (upper left)
24.5 x 19.5cm

PROVENANCE
purchased originally by the grandmother of a family friend directly
from the artist's wife, Olive Goldie
purchased from above circa fifty years ago
Private Estate, Rotorua

Mt Egmont from Huinga
oil on board
signed 'Woollaston '65' (lower right)
59.5 x 79.5cm

PROVENANCE
Private collection, Wellington

Near Greymouth [1964]
watercolour
signed 'Woollaston' (lower right)
30.5 x 38.5cm

PROVENANCE
Corporate collection, Wellington

Winter Pond
watercolour
signed and dated 'Woollaston '61' (lower right)
26.5 x 36cm

PROVENANCE
Collection of Mr & Mrs R N O'Reilly, 1961. O'Reilly was a friend
of both Woollaston and Colin McCahon. He later became the
Director of the New Zealand Library School.
Sale, Dunbar Sloane Ltd, Wellington, 5/12/01 (lot 1)
Private collection, Wellington

EXHIBITED
Christchurch Group Show 1961

Figures Walking
oil on canvas
signed, inscribed with title & dated '90 to reverse
138 x 176cm

PROVENANCE
Private Collection, Canterbury

The Secret of the Golden Flower 3
acrylic polymer and metallic pigments on paper
signed and dated 'Max Gimblett 1986' (lower right)
57 x 75.5cm

PROVENANCE
Corporate collection, Wellington

16 Panels: In Between I, II, III; Cypher I, II, III, Small Icon I, II, III & Blue;
Small Structure I; Small Canticle I; Inner Circle I & (Blue); Sequence (Gold);
Closing I
all acrylic on paper laid down on board
each signed, inscribed with title and dated '93
with original gallery labels to reverse
20 x 18cm each (16)

PROVENANCE
with Gow Langsford Gallery, Auckland
Corporate collection, Wellington

Nga taonga
oil on canvas
signed, inscribed with title and dated '22 Tihema 1993' (lower left)
163 x 240cm

PROVENANCE
Corporate collection, Wellington

Smoke
mixed media on board, diptych
both panels signed, entitled and dated 'August 1992'
with original Brooker Gallery label to reverse
121 x 160cm (overall)

PROVENANCE
Private collection, Auckland

Journeyscape II
acrylic on canvas
signed and dated 'KAAN 02' (lower right)
105 x 152cm

PROVENANCE
With Tinakori Gallery, June 2002
Private Collection, Wellington

The Hapuka, Kaikouras
oil on board
signed 'S. L. Thompson' (lower left); inscribed with title to
reverse and on original paper label; bears original
H Fisher & Sons paper label to reverse
37.5 x 44cm

PROVENANCE
purchased by the well-known photographer George
Chance, late 1940s - early 1950s from Fisher Fine Art,
Christchurch
by direct descent to the photographer's Grandson
Private collection, Wellington

La Vallee, Grasse
oil on canvas
signed 'S L Thompson' (lower left); signed, inscribed with
title and dated 1933 on original paper label affixed to
reverse
91 x 71cm

PROVENANCE
with Dunbar Sloane, Wellington, 3 April 2012 (lot 25)
Private collection, Auckland

Notre Dame near Vence
oil on board
signed 'S L Thompson' (lower right); inscribed with title
indistinctly in pencil to reverse
20.5 x 25.5cm

PROVENANCE
Dixon Collection, Hawkes Bay

Church Interior, Brittany
oil on canvas
signed S L Thompson (lower right); inscribed with title
and dated '65 to reverse
50 x 62cm

PROVENANCE
Private Collection, Auckland

Bouquet of White Roses
watercolour heightened with white
signed 'M. O. Stoddart.' (lower left)
31 x 47cm

PROVENANCE
Private Collection, Wairarapa

Amused
oil on canvas
signed 'C.Spencelayh' (lower left); inscribed with title to orginal
gilt frame
59 x 49cm

PROVENANCE
with original framing receipt, May 1917
by descent to the current owner
Private collection, Auckland

Gentleman at his Writing Desk
oil on board
signed 'AHPriechenfried' (lower right)
45 x 29cm

PROVENANCE
Private collection, Christchurch

Portrait a fully tattooed Chief 'PAORA' Ngatimaru Tribe
watercolour heightened with white with ink detailed drawing
and inscription to reverse
22.3 x 14.3cm

PROVENANCE
Private collection, Canterbury

Portraits of Maori Girl and Gentleman
both oil on panel
one signed 'G.P.Nerli' (upper right); the other (upper left)
each 22 x 14cm (2)

Most likely painted c.1897, when Nerli was located in Auckland

PROVENANCE
with International Art Centre, Auckland, 21/03/1988 (lot 47)
Private Collection, Wellington

LITERATURE
Peter Entwistle, Michael Dunn & Roger Collins, Nerli, An exhibition of
paintings & drawings (Dunedin 1988) p. 160, ref 135 (Maori Girl only
illustrated)

Fiji
oil on card
signed 'Nerli' (lower right)
21 x 34cm

PROVENANCE
The late Mrs E. E. McMillan MP, Highgate, Dunedin

LITERATURE
Peter Entwistle, Michael Dunn & Roger Collins, Nerli,
An exhibition of paintings & drawings (Dunedin 1988)
p.140, fig 116 (illustrated) as 'Untitled Landscape with
cabin, figures and banana trees c1894'

Early Wellington
'A portion of Lambton Quay in the late 1800s showing the
Hoggard house in the background. Taken from an earlier
photograph'
watercolour and graphite heightened with white
32.5 x 42cm

PROVENANCE
Dixon Estate, Hawkes Bay

Southern Alps in Purple Hues
watercolour heightened with white
signed (lower left)
24 x 35.5cm

PROVENANCE
Dixon Estate, Hawkes Bay

Grazing Sheep, Waikanae
watercolour heightened with white on buff paper
signed with intials and dated 'D. K. R. 1903' (lower left)
20.5 x 28.5cm

PROVENANCE
Sale, Dunbar Sloane Ltd, Wellington, 29 August 2001 (lot 53)
Private collection, Wellington

Public Trust Building, Lambton Quay
watercolour & Indian ink on paper
signed 'PETER MCINTYRE' (lower right)
40 x 50.5cm

PROVENANCE
Private collection, Australia

Tolo Harbour
watercolour and Indian ink on paper
signed 'PETER MCINTYRE' (lower right); signed, inscribed with title and dated 1961 to reverse
52 x 74cm

PROVENANCE
Private collection, Hawkes Bay

Round Up
oil on board
signed (lower right)
56 x 94cm

PROVENANCE
Private collection, Canterbury

The Dashing Rocks, Kaikoura
oil on canvas
signed and dated 'John Gibb/ 1880' (lower left); inscribed
with title to reverse and bears original paper label
40 x 64cm

PROVENANCE
Collection of Miss F Sheard, inherited by the current owner's
Aunt c1950 then by descent
Private collection, Canterbury

Berries & Orange Leaves
watercolour
signed 'Rita Angus' (lower right)
16 x 11.5cm

PROVENANCE
Vendor is a direct descendant of the artist
Private collection, Hawkes Bay

Spring Blooms on Rivers Edge
watercolour heightened with white
signed 'M. O. Stoddart' (lower left)
24.5 x 34.5cm

PROVENANCE
Private collection, Waikato

Still Life No. 3
oil on canvas board
signed with artist's monogram (lower left); signed, inscribed
with title and dated 'July 1973' to reverse
34 x 35cm

PROVENANCE
Private Estate, Wellington

Courtney Place, Older Wellington
oil on board
signed 'E PAGE' (lower right)
34.5 x 24cm

PROVENANCE
Private collection, Wellington

LITERATURE
Janet Paul & Neil Roberts, Evelyn Page, Seven Decades
(Christchurch 1986) p. 99

Rakaia Gorge, Mt Hutt
oil on canvas
signed 'Archibald F. Nicoll' (lower right)
74 x 92cm

PROVENANCE
Corporate collection, Wellington

The Pond, High Barnet, England
oil on canvas board
signed and dated 'W A Sutton '47 (lower right); signed
and inscribed with title to reverse
32 x 37cm

PROVENANCE
Private Estate, Canterbury

Morning Sun, Chawton
oil on board
signed & dated 'A A Deans 1969' (lower left); inscribed
with title on original label to reverse
44 x 57cm

PROVENANCE
Private collection, Dunedin

Banks of the Pareora and Mt Nimrod, South Canterbury
oil on board
signed 'COLIN V WHEELER' (lower right); inscribed with title \
on original artist's label affixed to reverse
39.5 x 49.5cm

PROVENANCE
Private collection, Central Otago

Hokianga Sand Hills
silkscreen print, limited edition 16/50
signed, inscribed with title and dated March 1977 (lower left)
67 x 56cm

PROVENANCE
Private collection, Wellington

LITERATURE
Robin White New Zealand Painter (Alister Taylor 1981) p. 64 (colour
illustration), p. 112, no. 193.

Drawing for Black Painting, Requiem for Tony
graphite on paper
signed and dated 'Hotere/Port Chalmers 1973' (lower right),
inscribed with title
33 x 24.5cm

PROVENANCE
Private collection, Hawkes Bay

From 'Pine' a Poem by Bill Manhire
woodblock and ink on paper
signed and inscribed 'Hotere 74/ from 'Pine' a Poem by
Bill Manhire' (lower right)
56 x 42.5cm

PROVENANCE
Private collection, Manawatu

In 1974 Ralph Hotere produced his PINE work on the Royal
Columbian hand-press at the University of Otago. The
sequence was prompted by Bill Manhire's postcard text sent
each week from London in the early 70s.

Lo NEGRO sobre le ORO
lithograph, limited edition 43/50
signed and dated 'Hotere/ 92' (lower left)
70 x 44.5cm

PROVENANCE
Corporate collection, Wellington

LITERATURE
Peter Vangioni & Jillian Cassidy, Hotere empty of shadows
and making a shadow (Christchurch 2005) fig. 61

Top 10 [1975]
oil on board
272 x 136cm

PROVENANCE
with Bosshard Gallery, Dunedin

Garden [1977]
oil on board
signed with initials and dated 'P. S. T. 77' (upper right)
123 x 121cm

PROVENANCE
Private collection, Auckland

Mathew's Painting
oil on canvas laid down
signed with initials, inscribed with title and dated '78
(lower right)
202 x 122cm
$6,000 - 10,000

PROVENANCE
with Dunbar Sloane, Auckland 1 May 2002 (lot 101)
Private collection, Auckland

This work was for Maddox's partner Linda Bouse's young son,
Mathew

Untitled [1982]
acrylic on canvas
initialled and dated 'AM 5.82' (lower centre)
82 x 43cm

PROVENANCE
Private collection, Auckland

Un, er, and yeah'
acrylic on linen
signed, inscribed with title and dated '07 to reverse
90 x 90cm

PROVENANCE
Private collection, Wellington